Wednesday, September 3, 2014

Romance In Memoriam - Celebrating Stan Goldberg

A few days ago, on August 31st, we lost another comic book great -- Stan Goldberg. He was 82 years old. Stan had an extensive career both penciling and coloring, and is primarily known for his work on teen humor titles such as Millie the Model, Patsy Walker, Swing with Scooter, and Archie. Let's take a minute today to remember Stan and his art!

 Cover art by Sal Buscema

Though Stan's work on the teen titles is plentiful, his work on the romance comics is much rarer. The story I have for you today, "How Do I Love Thee?" originally presented in Our Love Story #12 (August 1972) is actually the only romance story of his that I could think of off the top of my head. Written by Stan Lee and inked by Frank Giacoia, Stan Goldberg's pencils tell a simple story that asks the question, how do you know when you've met the one? Stan Goldberg answered with whimsy and a hefty dose of romantic fun.

Connie is torn up over breaking up with boyfriend, Bennett. Things were great -- until he asked her to marry him, that is. She then promptly freaked and made a break for it. Her pain over the split is relatable. Maybe she was too hasty in canning him? Maybe, it was all a big mistake! Connie's friend from work, Daphne, volunteers to set Connie up with her boyfriend's new singing partner to help forget the whole thing.

So Daphne takes Connie to the recording studio, and Connie is totally smitten with the "outtasite" Jeff. And who can blame her, with that fringed jacket and everything?! Wowzas!

The two lovebirds really hit it off, but when Jeff pops the question, Connie just can't even. After breaking things off with Jeff, Connie feels terrible and like something is truly wrong with her. The next day, Daphne apologizes for her bad matchmaking skills, but Connie replies, "It's my fault, Daphne! Maybe I don't know what I want!"

But Connie doesn't stay down in the dumps for long, for low and behold, who is that man in the office? What sort of office do they work in you ask? No clue. Clearly an office that allows the wearing of hotpants. But I digress... the mystery man is a romance writer!

Connie makes her move (which most certainly was frowned upon in dating advice just a few years prior) and the two find a nice quiet spot to begin their romance.

The two prove to be a match, and the rest, as they say, is a perfect mingling of polyester and dacron. Err.. I mean, heart and soul!

I enjoyed this short and sweet story quite a bit. No doubt imbued with that special Goldberg touch, Connie is depicted as confident, and yet, she is drawn with just enough vulnerability to make her love troubles believable. She sticks up for what she wants, and is bold about doing so.

Thank you, Mr. Goldberg, for all you have given us comic book fans. We won't forget you!

For more in depth information about Stan Goldberg and some great photographs, take a look at Michael Vassallo's Timely-Atlas-Comics memorial post here

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Tuesday, August 19, 2014

Artist Spotlight - Tony Abruzzo

Tony Abruzzo Cover Pencils
Falling in Love #95 (November 1967)

Writing about comic book history wouldn't be nearly as fun or gratifying were it not for the amazing community surrounding it. There are so many wonderful people studying comic books who are willing to share their time, knowledge, and expertise in a field which we are all collectively trying to understand. In the grand scheme of things, it is still a very new field of study and we all benefit from one another's research. Anyhow, one such fellow scholar, Steve Rowe,* contacted me a while back and gave me some information on the iconic romance comic book artist Tony Abruzzo. It came at a time when it was most appreciated; quite a few other people had been asking me if I had any information about Abruzzo, and at the time, I was pretty much at a loss. So, thanks to Steve and his generosity, I now have some more information on Abruzzo to share for all our benefit!

"Mad Mad Modes for Moderns"
Heart Throbs #107 (April/May 1967)

Before I dive in to what I've learned about Tony Abruzzo, it is important to understand the reason why Abruzzo is so darn important. Besides the fact that Abruzzo was an extremely talented artist in his own right, he is in need of remembrance because his work in large part, is what Roy Lichtenstein built his fame on. Now, the whole Lichtenstein thing is a topic for another post, but I don't think anyone can deny Abruzzo's significance in the history of not only comics, but in popular culture and the arts in general.

Abruzzo and Lichtenstein -- Side by Side
from David Barsalou's Deconstructing Roy Lichtenstein

The coolest thing Steve dug up was a 1942 Long Island Daily Press newspaper article about Abruzzo. The article was a great help in tracking down Abruzzo's census information, since the article gave his civilian address at the time. Utilizing the article, the 1940 census, and the United States Social Security Death Index, I was able to come up with a few tidbits. Born June 21st, 1916, Anthony Abruzzo was of Italian heritage. His occupation on the 1940 census is listed as "Fashion Artist" for a dress house. After a career in both the military and the arts, he passed away December 30th, 1990. Though it appears that Abruzzo remained unmarried and without children, he left behind a prolific body of work. The newspaper article is a really great read, and gives us a snapshot of Abruzzo as a young artist:

Dress Designer's Doing Swell Illustrating Lines of Jeeps

     It wasn't so long ago Tony Abruzzo of Ozone Park was designing dresses and his creations were eagerly snapped up by many of Park Avenue's best-dressed women.
     Now he is at Fort Knox, Ky., drawing tanks, scout cars and jeeps for special training manuals prepared for members of the Army Armored Force.
     The ex-dress designer, now Corporal Abruzzo, is doing a swell job at his new assignment.
     One of his superior officers, describing the military sketches, said:
     "They are a far cry from the old style diagrams. Abruzzo's drawings have perspective. They show the reader exactly what happens under given military situations."
     Until he was called to service on Jan. 28, Corporal Abruzzo resided at 102-03 103rd avenue. He lived in Ozone Park for 14 years.
     Abruzzo studied at Pratt Institute and the Traphagen Institute of Design.
     In addition to creating dress designs, he did fashion ads for the big stores and sold free lance sketches.
     "I was all ready to go to Paris," he said, "when the Nazi war machine changed my plans. Then I was called to service so I'll have to forget about dress designing for the duration."
     His aunt was a dressmaker and, as a girl in Italy, his grandmother made trosseaus [sic] for the royal family.
     He sketches dress designs in his spare time and vainly tries to find copies of the current fashion magazines at the Post Exchange.
     "But I don't have much spare time," he grinned. "Every day, and quite a few nights, I'm making illustrations for the Army training manuals.
     "And I don't think the Army khaki needs redesigning. It's made for fighting and I can't think of any improvements.
     "Until the war is over, I draw tanks instead of dresses."

There really isn't a whole lot of concrete information about Abruzzo besides the previously mentioned items. I have not been able to find any details on how he entered into the comic book business, or what he did after, but his legacy remains in the pages of the romance comics. I will certainly do an update if I acquire any more information on this important artist and fascinating man.

With a signature tilted neck, Abruzzo's characters
are equal parts sweet and sassy
"Mad Mad Modes for Moderns"
Young Love #63 (September/October 1967)

Abruzzo frequently used floral motifs in his work
Young Romance #144 (October/November 1966)

Steve suggested I get in touch with Robin Snyder** and see if he had any information on Abruzzo from Robert Kanigher's files. When I contacted Robin Snyder he wrote to me in an email,

"I have been looking for this fellow for over 30 years. He is the great lost mystery man of the comics. Tony worked for National for about 20 years and no one could tell me his name when I uncovered a huge number of pages of his original artwork during my tour of duty there. I advertised for help and asked everyone at the company. No one knew or cared. You may have noticed most fans dismiss love unless it is in a so-called super title... 

"Love 'Em and Leave 'Em!"
Pencils: Tony Abruzzo
Girls' Romances #131 (March 1968)

...Robert Kanigher walked into my office one day, glanced at the pages, and asked me what I was doing with so many pages by Tony Abruzzo. Several years later I was sitting on a convention panel with John Romita and mentioned this mystery. He not only remembered Tony but told me he had inked some of his stories. That is just about it. How is that for a tragic love story?"

"Too Late for Love!"
Pencils: Tony Abruzzo
Young Romance #153 (April/May 1968)

Tragic indeed. So today, let's remember and celebrate this amazing artist who doesn't get nearly enough credit for his contributions to modern culture, and hope that someday, more clues on the life of this talented man will surface. 

*You can find Steve Rowe's blog, A History of Comics here. He also was a columnist for the old The Comic Reader, and served as a senior editor of Jerry Bails' Who's Who.
**There's still a little bit of time (just a little over 24 hours) to help Robin Snyder's project with Steve Ditko, Mr. A, via Kickstarter! Click here to help!

Monday, August 11, 2014

Guest Post - Sequential Crush on Comic Book Resources!

Hey everyone! I hope you had a fantastic weekend! In case you missed it, Comic Book Resources was kind enough to run a romance themed post by yours truly on Saturday over at Comics Should Be Good! In the post I look at "The Green Eyed Monster" -- an entertaining DC romance about two lovebirds brought together by a grumpy orange cat. Enjoy and feel free to leave a comment over at CBR!

Read the post here!  

Friday, August 8, 2014

Page Peterson - The Original Love Guru!

We all have guilty pleasures, don't we? I have to admit, I've been watching a bit of The Millionaire Matchmaker on Hulu lately, and man! It is addictive! So much so that after a couple episodes, I start having these grand delusions that I too could be a matchmaker -- but I digress! While I enjoy Patti Stanger's no holds barred style of love advice, she definitely isn't the first to dish it out to a clueless clientele. Watch Page in action here as she sets a couple of young ladies on the path to true love in two 1972 issues of Young Romance

"Do's & Dont's of Dating by Page Peterson"
Pencils: Jack Abel (GCD)
Young Romance #178
(January 1972)

"Do's & Dont's of Dating by Page Peterson"
Young Romance #181
(April 1972)

Friday, July 18, 2014

Groovy to Goofy - The Motley One-Pagers of Charlton Romance Comics

One-page romance stories are one thing I never get sick of seeing in the romance comics. Every time I find one, a little thrill surges through me. So how's about a thrill for you today? Enjoy this diverse bunch of one-pagers from Charlton ranging from the groovy to goofy and everything in between! 

Let's start with my favorite -- a psychedelic "Charlton Comics Mini-Poster." Dig those colors, dig that design! A gorgeous piece by one of Jonnie Love's originators, Tony Tallarico, with an added bonus of classic Elizabethan poetry. 

"A Ditty"
Sweethearts #102
(February 1969)

"Is it Love?" is somber, bittersweet, and ends with a dose of morality reminding readers that true love waits. 

"Is It Love?"
Teen Confessions #58
(November 1969)

Well, this one just sets everyone up for failure, doesn't it? Ain't nobody getting through that squiggly mess. Not even "catch," Handsome Harvey! All I can say here is, oh Charlton... so special. 

"A Good Catch Maze"
Time for Love #26
(February 1972)

"Not That Weird" plays up on the stereotype of hippies and the subsequent clash between generations that was so popular in the media during the late '60s and early '70s. 

"Not That Weird"
Time for Love #22
(May 1971)

And last but not least, "When We Were Kids" is a goofy, slapstick take on the "roving eye" motif. 

"When We Were Kids"
Teen Confessions #97
(November 1976)

Credits: 1.) "A Ditty" (Charlton Comics Mini-Poster #1) Sweethearts #102 (February 1969) Script: Sir Philip Sidney, Designed by: Tony Tallarico 2.) "Is It Love?" Teen Confessions #58 (November 1969) Pencils: Charles Nicholas, Inks: Vincent Alascia 3.) "A Good Catch Maze" Time for Love #26 (February 1972) Pencils and Inks: Tony Tallarico (GCD) 4.) "Not That Weird" Time for Love #22 (May 1971) Pencils: Charles Nicholas, Inks: Vincent Alascia 5.) "When We Were Kids" Teen Confessions #97 (November 1976) Pencils and Inks: Art Cappello  

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